Designed by Jeff Levine, Aussie Stencil JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts.

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An assortment of antique, hand-punched brass stencils from Australia [used for crate marking and shipping] served at the models for Aussie Stencil JNL, which is available in both regular and oblique versions.

The lettering of the original stencil punches had rounded edges to the characters; looking more machine rendered than hand punched into the brass sheets.

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Designed by Nick Shinn, Headwaters is an art deco and sans serif font family. This typeface has nine styles and was published by Shinntype.

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Full of curves, Headwaters is a nine-weight sans serif face with a special personality.

The lower case is more conventional than the capitals, for ease of reading in extended text setting. The capitals have some unusual, eye-catching letter shapes—a little bit art deco or geo—rendered in a subtly grotesk manner, in keeping with the overall tone of the typeface.

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Designed by Pablo Balcells, Nebulosa is a display sans and stencil font family. This typeface has ten styles and was published by Graviton.

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Nebulosa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a futuristic, slightly extended sans serif typeface with semi rounded endings that provide a softened aesthetic without losing its solidity. Nebulosa has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks.

Nebulosa consists of 10 styles, 8 of which containing small caps and glyph coverage for several language and 2 of which are free.

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Designed by Jakob Fischer, Tacky Shoes is a hand display font family. This typeface has six styles and was published by Pizzadude.dk.

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May I present to you: Tacky Shoes. Actually there’s nothing tacky here - just liked the sound of that :) Just like the letters may look quite straight-forward, but here and there the lines are a bit off, which enhances the handmade look - which makes it great for work like posters, invitations, flyers, stickers or something that has to do with creativity.
Each letter has 6 variants (in all 6 versions!) which makes the text look more natural and random - because these variants cycle as you type!

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Download Tacky Shoes Fonts Family From Pizzadude.dk

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Designed by Iqbal Firdaus, TG Frekuent Mono is a sans serif font family. This typeface has seven styles and was published by Tegami Type.

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TG Frekuent Mono is a new modern geometric sans serif with a monospaced style. TG Frekuent Mono has several styles from ultra-light to extra-bold and one variable font. 

TG Frekuent Mono designed with a high precision thus making this typeface is very structured and has a modern feel. And this typeface has several stylistic alternates who inspired by several characters from a script typeface, who made this stylistic alternate is a little quirky and different but still fit perfectly with the whole design of this typeface.

This thing makes this typeface is very highly recommended use for body text or display text because you can get feel something a structure an organized but at the same time you can get to feel quirky and different in this typeface.

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Designed by Michael Hagemann, Bayside Tavern is a display serif and serif font family. This typeface has seventy-two styles and was published by FontMesa.

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Bayside Tavern is a weathered version of our Tavern Alt font family.

With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version.

With three weights, open faced and outline versions to choose from you’re sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party.

While our original Tavern Alt font has been increased to include five weights additional weights for Bayside Tavern will have to wait for now, adding the deeper notched cut in’s were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights.

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Designed by David Kerkhoff, Clootie is a hand display font family. This typeface has two styles and was published by Hanoded.

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My wife was watching a baking show in which a Scottish guy attempted to cook a clootie. A what?? A clootie??? Never heard of a clootie!
Apparently it is a suet dumpling, containing dried fruits (like raisins) and boiled in a piece of cloth (clootie means ‘rag’ or ‘strip of cloth’ in Scottish).

Clootie font is a handmade bundle of happiness. It is rounded, soft and legible and will look particularly good on book covers.

And I promise you all: one day I will cook clooties to find out what they taste like!

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Designed by Ani Dimitrova, Alamia is a sans serif font family. This typeface has twenty styles and was published by Ani Dimitrova.

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The Alamia type family is a sans serif in 20 weights, ranging from HairLine to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script.
All weights of this family are equipped for complex, professional typography with Open Type Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch.
The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

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Designed by Olcar Alcaide, Cannoli is a brush script and script font published by Eurotypo.

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Cannoli is a brush lettering style font, designed specially for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching.
This vintage typeface is a reminiscent of the posters of the 50s, painted with a brush in enamel advertising signs.
“Cannoli” was inspired by the delicacy of the Sicilian pastry, and the robust charm of its landscape.

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Designed by Novia Jonatan, Glodok is a display serif and retro font published by Sudtipos.

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Glodok is a single-weight display typeface. It is bold, heavy and fun to play around with. It’s eye catching but also blends well when in use. It is retro-inspired and strikes a nice balance between formal and playful.

The name itself comes from the oldest Chinatown in Jakarta that is also considered the biggest in Indonesia, the place from where the designer took many inspirations.

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Designed by Oliver Jeschke, JT Energy is a sans serif font family. This typeface has ten styles and was published by OGJ Type Design.

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JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.

The family is equipped with
7 cuts — light to heavy —
2 extra versions “Placard” to set very large
stylistic alternates with letterforms that are round-edgy
alternates with flat diacritics
standard and oldstyle figures
and a variable font

What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.
Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.

— —
Graphic design by Salzmann Gertsch, Switzerland.
“We think the Energy has a great style and it’s also fun to design with it!”

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Download JT Energy Fonts Family From OGJ Type Design

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Designed by Jakob Fischer, Killer Garbage is a display and grunge font family. This typeface has two styles and was published by Pizzadude.dk.

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Killer Garbage is a grunge version of my Spitzenklasse font. It’s worn and torn real bad - but not more than the font is still legible even at very small sizes.
I don’t fancy grunge fonts that only has one or two versions of each letter available. The text usually gets very static and predictable, because the same letters are repeated again and again. That’s why I have included 6 different versions of each letter in this font! And the great thing about this is that the letters automatically cycles as you type! Forget everything about repeating the same letters all the time!!!

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Designed by Erik Bertell, Emil Bertell and Teo Tuominen, Klik is a sans serif font family. This typeface has forty-eight styles and was published by Fenotype.

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Klik is a universal sans serif family – clean and timeless. Both iconic and legible, Klik is suited to cover many needs from brand identities to editorial design, advertising, logos and beyond. Cyrillic characters are featured and a wide range of languages is supported. 
Open Type features are abundant – from built-in small capitals to various numeral styles (linear and old style; tabular and proportional, subscript and superscript).
Klik comes in three widths – each featuring eight weights and corresponding italics.

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Download Klik Fonts Family From Fenotype

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