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| Designed by Jeff Levine, Roundwood JNL is a wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.
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| Download Roundwood JNL Fonts Family From Jeff Levine Fonts |
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| Designed by David Kerkhoff, Whalebone is a brush display font family. This typeface has two styles and was published by Hanoded. |
For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things…
Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink.
Whalebone comes with discretionary ligatures for double letter combinations.
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| Gogh is a sans serif font family. This typeface has twenty-two styles and was published by Spacetype. |
Gogh is a geometric sans serif with a modern look and traditional spirit.
It blends evenly in a paragraph without being overly distracting to the reader. Yet it still keeps a rich and distinctive character. The generous x-height, easily distinguishable glyph forms, and open terminals are all designed to help the eye perceive a block of text smoothly, making it clearly legible. Gogh thrives when used both on-screen or on print media.
Gogh type family consists of 10 weights from Hairline to Black and their matching Italics. Gogh is also available as a fully functional variable font, which gives unlimited opportunity to explore typography without the restrictions of predefined weights. Gogh Variable is also the best option if used on the web as it has a much-reduced size compared to the original font family.
Regardless of which Gogh family you choose, the typeface covers a broad spectrum of languages, as it includes Extended Latin and Cyrillic. And it also comes with an alternative stylistic set that will completely change the overall look of a paragraph, giving it a more contemporary and display appearance. In addition to that, Gogh type family is enriched with an extensive list of OpenType features for advanced typographic layout, including standard and discretionary ligatures, tabular and small figures, fractions, language localizations, case sensitive punctuation, and more.
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| Download Gogh Fonts Family From Spacetype |
Designed by Alit Suarnegara, Mollas is a display serif and retro font family. This typeface has fourteen styles and was published by Alit Design.
Introducing Mollas Typeface,
Thank you for clicking this page and finding Mollas Typeface, one of the best font collections I’ve made. Mollas typeface is formal, elegant and can be applied to any design concept. For branding design, header text, online shop, logo design, social media and so on.
Mollas typeface has 14 total families from Thin to Heavy, besides that there are many amazing and unique alternative glyphs for your design creation.
Its use is very easy and simple. It can be run in design or non-design programs because the Mollas typeface has PUA unicode support. Besides that, the Mollas typeface also has multilingual support.
**Product Content:**
* Mollas Typeface OpenType-PS 14 families
* Mollas TypefaceOpenType-TT 14 families
* Mollas Typeface Web-TT
* Mollas Typeface.pdf
* Readme.txt
* MollasGX,ttf (variable format)
**Features:**
* A-Z Character Set
* Numerals & Punctuations (OpenType Standard)
* Stylistic Alternates
* Multilingual
* Ligatures
* Thin - Heavy 14 families
Thank you and enjoy
Designed by Jeff Levine, Poster Project JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts.
An online image of a grid page [circa 1930s] showing teachers how they and their students could create cut-out letters and numbers inspired Poster Project JNL. The typeface is available in both regular and oblique versions.
A crude, yet charming simplicity to the lettering can help replicate old time school bulletin boards and posters, or simply provide a less formal typographic approach when that is needed for a project.
Designed by Ani Dimitrova and Ivan Kyosev, Thalweg is a serif font family. This typeface has sixteen styles and was published by Ani Dimitrova.
Thalweg serif typeface is a project focused on the digitalization and development of the Thalweg font. The font was originally designed in 1993 by the Bulgarian artist Ivan Kyosev. In 2018 Ani Dimitrova began the revival of the Thalweg font and converted the drawings into a digital form. The existing set of characters required some necessary expansions such as the development of capital letters, alternative symbols and many other functions. Furthermore, some additional weights were developed which aimed to make the font more complete.
Thalweg was completed in 2020 with 16 weights ranging from Thin to Black with extra drawn italics and small caps versions, each style containing more than 1100 glyphs. The font comes with an extended coverage of the Latin, Cyrillic and Greek Scripts. All of the weights are specifically equipped for complex, professional typography with Open Type Features. These features include: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction. The Thalweg serif typeface is a perfect choice for body text, branding design, web design, editorial design and more.
Ivan Kyosev (1933-1994) was one of Bulgaria’s most famous artists whose work influenced several generations of bulgarian designers. He was born on February 5, 1933, in the city of Burgas. In 1957 he graduated in illustration at the National Academy of Art in Sofia led by Prof. Iliya Beshkov. Mr. Kyosev was a member in the management of the “Graphics and Illustration” section in the Union of Bulgarian Artists, member of the UBA board, artist in the publishing houses “September” and “World”. Together with Boris Angelushev, he worked on the layout design of the “Literary Front” newspaper. Furthermore, in 1963 - 1964 he was the main artist in the publishing house “Prosveta”. Ivan Kyosev excelled in the field of illustration, book design and library layouts in various genres (classics, children’s literature, poetry, journalism, memoirs, etc.). He is also the author of many fonts.
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| Designed by Jeff Levine, Clarified JNL is a display serif, serif and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Based on William H. Page’s Clarendon Extended wood type from the 1800s, Clarified JNL is digitally available in both regular and oblique versions.
In the days of wood and metal type, foundries often made changes to an existing design to make their font more unique and different from their competitors.
Clarified JNL is different from Clarenwood JNL (which is partially based on another wood type Clarendon and features many alternate letter forms).
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| Designed by Pablo Balcells, Densa is a display sans and sans serif font family. This typeface has eight styles and was published by Graviton. |
Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks.
Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.
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| Download Densa Fonts Family From Graviton |
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| Designed by Alejandro Paul and Carolina Marando, Geminian is a display serif, script and dingbat font family. This typeface has five styles and was published by Sudtipos. |
Geminian is a set of fonts that started as a simple idea based on a theoretical level and developed during a long time, to be able to take shape under a creative impulse inspired by the need to communicate, today more than ever. From an astrological point of view, it celebrates and contributes to this practice, the study of stars position and movement and their influence on people’s destiny. As a good Gemini, this set revives the main features of the opposite twins sign. Gemini is associated with thoughts, creativity, and communication. Its ruler Mercury (Hermes for the ancient Greeks), messenger of the Gods, and spokesman of the divine word, gives the natives of this sign intelligence, wit, eloquence and poetry.
Geminian aims to be a medium to carry different messages from one end to the other. And this is because when using words, Geminis always surprise. Thanks to this gitf (and language and communication), they are able to bring up the most ingenious ideas, to solve any problem and to contribute new perspectives. These qualities may be the secret of its magnetism.
The Geminian set comes in 5 styles including a script with multiple ligatures and alternates, 3 sets of caps and dingbats. In addition the complete font family supports a wide variety of Latin alphabet-based languages.
Designed by Anita Jürgeleit, Mireille is a serif font family. This typeface has seven styles and was published by Anita Jürgeleit.
Designed by Anita Jürgeleit, Mireille is a typographic homage to french culture. Your journey through gourmet food, classical music, opera and wine tours over 100 romantic alternates and ligatures that allow you to add outstanding elegance to your typography.
Mireille is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on.
All your needs are supported by Mireille with a character set of 1084 glyphs covering all European languages and including advanced Open Type features as 4 Stylistc Sets full with elegant Alternates, Standard and Discretionary Ligatures, Extended Numberset and Swashed Alternates. Take care: you might have a crush on this typeface – La vie, c’est beau!
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| Designed by Paulo Goode, Arise is a retro and serif font family. This typeface has eighteen styles and was published by Paulo Goode. |
Arise speaks clearly and with purpose, it does not need to shout to be heard. It is fairly innocuous and unassuming, you could perhaps say it is straightforward and boring at first glance… but hopefully you will see its defining features upon closer inspection and appreciate its humanistic qualities, its irregularities, and its distinctive elements.
Arise is a multi-purpose type family – being equally at home in text and display scenarios, it retains a pen-drawn style that comes to the fore in its hooked terminals and decorative swash alternates. As can be seen in the /a/c/f/g/r/y/ glyphs, hooked terminals are a key feature of this typeface. These terminals are blade-like in appearance, defining a distinctive character that is unusual, yet balanced and refined.
Practical features include 38 capital swash alternates for intial and final forms that can be particularly effective when used in titling and branding situations. Small caps are also included (along with matching diacritics) – these are designed to harmonise with regular lowercase forms so that you may easily achieve unicase-style typography.
There are 18 fonts altogether, with 9 weights from ExtraLight to Ultra in both roman and italic. Arise has an extensive character set that covers all Latin European languages.
Key features:
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| Download Arise Fonts Family From Paulo Goode |
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| Designed by Thomas Schostok, CA Smut is a comic font family. This typeface has two styles and was published by Cape Arcona Type Foundry. |
Sometimes the ugliest pets can be the cutest ones. And the dirtiest fonts can be the most charming ones. Like CA Smut which comes in two styles that can be stacked on top of each other. “Regular” is the shadow, while “Fill” is the filling. Create little masterpieces by playing with different colors, offset or deviating tracking. You can even try to use the “Fill” style on its own, but do so at you own risk. The spacing and kerning is optimized for the use with “Regular”, so be open minded for surprising results.
If you ever had the intention to design a horror movie poster, there’s no way around CA Smut.
