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| Designed by Jeff Levine, News Event JNL is a display sans and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.
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| Designed by Donald Tarallo, Varese Outlined is an art deco font family. This typeface has two styles and was published by Tarallo Design. |
Varese Outlined is the perfect font for giving content a retro and playful feel. Use it for headlines or for short body text when you need an optimistic or nostalgic tone.
It comes in outlined and outlined with a shadow for dimensional effect.
This geometric and modular typeface was inspired by Italian posters of the 1920s and 1930s. It playfully explores the boundaries between unity and variety. The blocky and modular characteristics of this font lend themselves well to tightly composed text either horizontally or vertically.
The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces (counterforms). It comes with standard ligatures; ff, fi, fl, ffl and several alternate glyphs for number 1.
Varese Outlined has two siblings; Varese and Varese Soft.
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| Designed by Jeff Levine, General Merchandise JNL is a slab serif, western and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs.
It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.
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| Download General Merchandise JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Alex Etewut, Spiro 2020 is a sans serif font family. This typeface has three styles and was published by Etewut. |
Introducing rounded sans serif *SPIRO*. The family includes 3 styles: regular, bold and italic. Spiro supports multi language symbols as æ, ß, ç, etc. It also has all necessary ligatures and extra glyphs you may need. To use them you have to open glyphs panel in menu Window. The font is compatible on both Windows and Mac. You can use it in all popular apps like Adobe, Corel Draw, Microsoft, Final Cut etc.
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| Designed by Jeff Levine, Display Board JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces.
According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer’s seminal Erbar typeface of 1926
Display Board JNL is available in both regular and oblique versions.
Designed by Jakob Fischer, Salacious is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.
Salacious is my soft/rough all-caps font, inspired by both comics and grafitti. The weight and width of the letters varies a bit. Not in a disturbing way, but more in a lively and organic way. I’ve added 5 (slightly) different versions of each letter (which automatically cycles as you type!) The letter shapes are a bit rough, due to the fact that they are handmade, and all corners are rounded, which gives a nice soft look!
Designed by Jeff Levine, County Clerk JNL is a display sans and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts.
County Clerk JNL was modeled after the vintage Hamilton wood type design Gothic Special, and is available in both regular and oblique versions.
An early grotesk font, this condensed sans serif lends itself well to short headlines and brief body copy.
Designed by Dusan Jelesijevic, Finoteca is a hand display font published by Tour de Force Font Foundry.
Finoteca (on English would be Niceteca) is display font for nice people. Why so? Well, by it’s design, it’s one happy, bouncy font with a lot of charm and positive feeling. Use it on product label, in books for kids, movie posters or as indoor graphic for your restaurant – if will fit anywhere. Available as single weight only – Regular, contains set of stylistic dingbats with interesting faces and persons made out from letter shapes.
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| Designed by Rodrigo Salas, Minado Rough is a display sans, stencil and dingbat font family. This typeface has sixteen styles and was published by Rodrigo Typo. |
Dirty family!
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| Designed by Jeff Levine, Alderman JNL is a multiple classification font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.
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| Download Alderman JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Max Phillips, Dashiell Bright is a serif font family. This typeface has twelve styles and was published by Signal Type Foundry. |
Dashiell Bright has more sparkle than Dashiell Text, with subtly finer hairlines and serifs, and is particularly suited to printed books and magazines, where its crisply drawn forms hold the page nicely without being overbearing. While a touch more literary than Dashiell Text, it shares the same six weights, ample counters and x-height, and unbracketed wedge serifs. Like its sister, Dashiell Bright supports over 140 languages and includes proportional and tabular lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. Of course, it pairs well with its sister faces, Dashiell Text and Dashiell Fine.
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| Designed by Max Phillips, Dashiell Fine is a serif font family. This typeface has seven styles and was published by Signal Type Foundry. |
The dramatic contrast and wiry hairlines of Dashiell Fine are best at large sizes, where its bladelike serifs and Caslon-derived forms give it a hard-edged, Didonesque elegance. Its seven weights include an additional Light style for especially delicate work; its Black weight provides a touch of swagger. Dashiell Fine supports over 140 languages and includes lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. It’s a natural choice for headlines to complement Dashiell Text or Bright, but equally striking on its own.
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| Designed by Max Phillips, Dashiell Text is a serif font family. This typeface has twelve styles and was published by Signal Type Foundry. |
Dashiell was made to be read. Designed by a devoted reader with lousy eyesight, it’s an attempt to combine the warmth and frankness of Caslon with the lucid elegance of Garamond. Counters and x-height are ample but not large. Apertures are moderately open, and unbracketed wedge serifs add crispness. The collection includes three families: Dashiell Text, Dashiell Bright, and Dashiell Fine, for a total of 31 styles. Dashiell Text is the anchor: an all-around workhorse with quiet detailing and modest contrast, carefully balanced to work both onscreen and on paper. It’s available in in six weights with matching italics. Regular weights are clear and open, but sturdy enough to perform at small sizes. The Black weights are unusually dark for a classic serif, with a hint of Cooper Black. Named for Dashiell Hammett, whose succinct grace helped modernize twentieth-century American fiction, Dashiell Text supports over 140 languages and includes proportional and tabular lining and oldstyle figures, small caps, case-sensitive punctuation and delimiters, and a selection of borders and ornaments. Of course, it pairs well with its sister faces, Dashiell Bright and Dashiell Fine.
