Designed by Ricardo Marcin and Erica Jung, Search is a hand display font family. This typeface has two styles and was published by PintassilgoPrints.
Search is a brush script font, seasoned with unconventional choices here and there – ‘Hey, they are everywhere!’, one may say, and that’s okay. This is a contemporary upbeat font with loads of personality and yet some alternates: there are two choices for each letter, delivering that nice, organic, tasty handmade feel. Available in two flavors: with and without a dry brush texture.
Isn’t it what you’ve been searching for? We bet! Cheers!
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| Designed by Hendry Juanda, Hallmarks is a modern calligraphy font published by Letterhend Studio. |
Introducing, our latest product, Hallmarks!
Hallmarks beautiful calligraphy font with swash. This font will add a feminine touch to make your design more soft and beautiful. This font is perfect for wedding invitation, quotes, branding, packaging, etc.
What will you get:
- Hallmarks (TTF/OTF)
- Including number and symbol.
- Support Multi Language
This font also support PUA Encoded! So, grab your own. Thank You!
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| Download Hallmarks Fonts Family From Letterhend Studio |
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| Designed by Michael Hagemann, Fried Chicken is a slab serif font family. This typeface has thirty-two styles and was published by FontMesa. |
The name of this font brings back memories of an old fried chicken restaurant in Willow Springs Illinois circa 1960’s and 1970’s, my family would all get in the car and take a long drive down to an old country road Illionis Rt 171 through a forest preserve where we’d come upon the old Willowbrook motel with a bar and restaurant next door.
The restaurant was called Kegal’s, when you entered the building you had to walk through the smoky bar first to get to the restaurant, I can still see the hard wood floors with all the finish worn off from decades of foot traffic.
Up until the mid 1960’s Kegal’s used to raise their own chickens behind the restaurant, back then fried chicken in the Midwest was either coated in flour or bread crumbs, Kegal’s was covered in a beautiful layer of golden bread crumbs.
Before your meal arrived they’d bring a basket of dinner rolls along with crackers, bread sticks and country butter, on the side they’d serve coleslaw with a vinegar sauce, which is very common in the Midwest, the first time you try it your face puckers up like you just sucked on a lemon but you get used it over time.
After waiting for what seemed like forever to a child the waitress comes out of the kitchen with a huge tray of that golden deliciousness and your mouth begins to water, in her other hand was another tray filled to overflowing with crinkle cut french fries all made by hand, I’d eat a hole handful of those french fries first then take a bite of that tender juicy farm raised chicken.
Today a fine Italian restaurant occupies the old Kegal’s building and the motel is long gone, only my fond memories remain.
Fast forward to 2020 and FontMesa has just made some Fried Chicken as an eight weight type font family with alternates.
With the Fried Chicken slab serif font family we’ve broken some rules by removing a few of the slabs on certain letters for a unique homemade look.
Fried Chicken is perfect for your next product label, t-shirt design, logo, headline or cookbook cover.
Treat yourself to some good ol’ Fried Chicken today.
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| Designed by Lisa Fischbach, Kaius Pro is a serif font family. This typeface has sixteen styles and was published by TypeMates. |
A sophisticated text typeface, Kaius Pro is an academic. Specialised for text in small sizes and complex layouts, Kaius is capable of handling demanding structure, language and character requirements with ease.
Kaius is not just a fresh alternative to classic text typefaces. With a generous x-height, open apertures and wide round letters, it’s also extremely readable. Sharp vertical serifs emphasise Kaius’s rhythm and are finely balanced with sturdy baseline serifs, which are so important for legibility. Together, these features create a reliable text structure.
Kaius combines analytical thinking with a modern exterior. The typeface’s outlines have more curved than straight lines, giving it an unconventional appearance close up. Zoom out, and Kaius brings a fresh feel to longform reading. Distinguished in distinction, Kaius is equipped with small caps, italics and 16 weights to style, structure and clarify complex information at every scale.
From the narrow, low contrast Hairline, to the softer, rounder Black, Kaius’s sixteen weights are complemented by lively italics. Their even rhythm and comparatively slight angle are contrasted by expressive cursive letterforms. Used in upright text, they harmonise; neither standing out too much nor blending in.
Whether all caps text, arbitrary fractions or tabular-ranging figures, setting five dot punctuation or accessing rare symbols like interrobangs and manicules, typographic excellence is no challenge for this scholar of complexity.
Kaius’s love of books makes it a friend of fine typography. Kaius expertly selects the correct dashes and quotation marks for different languages and has sets of punctuation and symbols carefully refined for use in uppercase and small-cap texts.
And Kaius is a linguistic enthusiast. Along with Greek and Cyrillic, it supports almost every language that uses the Latin alphabet, from Icelandic to Vietnamese. It’s attentive to localised forms, supports ancient Greek and historical Cyrillic letters, and is well-versed in the International Phonetic Alphabet and the many special characters used in academic and lexical typography. All in all, Kaius’s character set covers an extensive 2,500 glyphs. Whatever you might need, Kaius covers it.
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| Designed by Jeff Levine, Wood Clarendon JNL is a wood type font family. This typeface has two styles and was published by Jeff Levine Fonts. |
Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions.
The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s.
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| Download Wood Clarendon JNL Fonts Family From Jeff Levine Fonts |
Designed by David Kerkhoff, Exit Strategy is a brush display font family. This typeface has two styles and was published by Hanoded.
Every exit is an entry somewhere else. It’s a quote by British playwright Tom Stoppard and I really like it!
Exit strategy is a rough brush font, which I made using Chinese ink (where would I be without my Chinese ink??) and the new batch of French paper I bought.
Use this font to highlight all that is important, stick it on posters, slap it on book covers - it will definitely do the trick!
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| Designed by Jeff Levine, Reform School JNL is a display sans and stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The extra bold sans serif stencil lettering on movie posters and lobby cards for “Reform School Girl” (a 1957 film by American International Pictures) was the basis of Reform School JNL, which is available in both regular and oblique versions.
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| Designed by Jakob Fischer, Remarkably Dressed is a hand display font family. This typeface has eleven styles and was published by Bogstav. |
Remarkably Dressed is designed by hand, with your book/comic/poster and alike in mind. There are several versions of the font that works well, using them as layers.
Designed by Hendry Juanda, Black Hymned is a multiple classification font family. This typeface has three styles and was published by Letterhend Studio.
Introducing!
Black Hymned - Font Trio!
Black Hymned - Font Trio is a font package containing three style with same vibes!. Each font contains lowercase, uppercase, numbers, symbols and also supports multi languages. You will get TTF and OTF. This font can use in any software without problem! A simple font.
Please like and follow as appreciation, Thank You,
Designed by Dusan Jelesijevic, Kondes is a display sans font family. This typeface has twenty styles and was published by Tour de Force Font Foundry.
Kondes is our “101 Dalmatians” – it’s 101th release in our catalog! And it is the 1st one that belongs to variable typefaces. Kondes (which is made up word as mixture of “condensed” and “kondezovan” on Serbian) is simple, compact, straight-in-your-face sans serif family with 9 weights and 9 Italics. It was designed with purpose to serve and to be use in any project, from editorial to website. For example, Black weight could be used effectively as poster type, in big sizes while Regular fits perfectly as main webfont. Stem joining is done with generous ink trap that divides and opens letter contours, so letter breaths in smaller sizes. Contains extended Latin character set. Enjoy!
Designed by Jeff Levine, Pettiford JNL is an art nouveau font family. This typeface has two styles and was published by Jeff Levine Fonts.
Within the pages of the Pettingill & Co. (Boston) 1901-02 specimen book is Camelot Old Style – a thin stroke spurred serif typeface with traces of Art Nouveau influence.
This had been redrawn digitally as Pettiford JNL, and is available in both regular and oblique versions.
