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| Designed by Jakob Fischer, Mystery Shot is a comic, hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk. |
Mystery Shot is not your every day all-caps comic font. It is handdrawn with a permanent marker, which explains the sometimes rough edges. I’ve made 2 versions that mixes for great results. The stroke of the outline version is designed to fall slightly off here and there, and that was done on purpuse to enhance the handmade look of the regular version. What’s more is that I added 5 slightly different versions of each letter, and the font has multilingual support!
Designed by Nicolas Deslé, Calipso™ is a sans serif font family. This typeface has seven styles and was published by Nicolas Deslé.
Calipso™ is a contemporary neo-grotesque display typeface that gets more vigorous as its weight increases. It comes in 6 styles and as a variable typeface — with full Latin Plus language support.
Features:
● Stylistic Sets + Alternates
● Contextual Alternates
● Standard & Discretionary Ligatures
● Case-Sensitive Forms
● 495 Glyphs/Style
● Fractions
● Tabular Figures
● Icons & Arrows
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| Designed by Carine de Wandeleer, Rembord is a script font published by Eurotypo. |
Rembord is a modern connected typeface, slant and slightly condensed, this font include a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.
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| Designed by Hendry Juanda, Holystone is a brush script and script font published by Letterhend Studio. |
Introducing, Holystone. A natural hand writing script typeface. Very suitable to be used as a headline, instagram post and stories, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded
We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com
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| Download Holystone Fonts Family From Letterhend Studio |
Designed by Andrey Kudryavtsev, Rodrigo Salas and Bruno Jara, Skippie is a multiple classification font family. This typeface has ten styles and was published by Rodrigo Typo.
A typeface specially designed for children’s titles,
contains different weights from Thin to DemiBold, with extras
with Dingbats and many Alternatives.
Designed by Jakob Fischer, Tasty Joke is a hand display and hand drawn font family. This typeface has four styles and was published by Pizzadude.dk.
Tasty Joke was made with a slightly bulgy pen, and by using a loose touch.The result: two fine kinds of naive and lively letters. Combine the Regular and Line versions for cool results.
Designed by Julia Martinez Diana, Dingos is a display sans and hand display font family. This typeface has four styles and was published by Antipixel.
Dingos is a display & joyful typeface specially handcrafted for strong and powerful usage, with a versatile touch.
Consisting of 4 styles, Display, Display Outline, Stamp & Stamp Outline, Dingos is perfect for any medium or large use due to the precise shape of its outlines, which were hand-crafted glyph by glyph. Perfectly suited for graphic design and any display use!
Some of Dingos’ features are ligatures for specific character combinations, kerning, numerators, fractions for any number combinations, arrows, and a large glyph coverage to ensure an extended language support. In addition, the Stamp styles include three alternating alphabets to avoid repeating textures, providing a more natural feel. All of these, and more, will make your work distinctive and powerful!
Designed by Julia Martinez Diana, and published in 2020 by Antipixel type studio.
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| Referenz Grotesk is a sans serif font family. This typeface has fourteen styles and was published by Sudtipos. |
Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003).
During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted.
These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms.
The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics.
Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.
Designed by Jeff Levine, Spring Season JNL is an art deco and display slab font family. This typeface has two styles and was published by Jeff Levine Fonts.
Spring Season JNL is a decorated and stylized Art Deco slab serif design from 1935 which is based on the hand lettered title on the sheet music for “Paris in the Spring”.
The characters are cut through with both a straight line and a wavy, spoked line which looks something like a thorny vine.
Spring Season JNL is available in both regular and oblique versions.
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| Designed by Måns Grebäck, Lyster is a brush script and script font family. This typeface has two styles and was published by Måns Grebäck. |
Lyster is a hand-painted script typeface, built an created by Måns Grebäck in 2020.
Its brush strokes makes the typeface the ultimate blend between modern and classic.
The balanced weight and tilt result in velocity, flow and a friendly but energetic vibe.
Lyster comes as Lyster Regular and Lyster Bold, and each style contains a full OpenType compatible alternate alphabet and ligatures.
The font contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all Latin-based, European languages.
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| Download Lyster Fonts Family From Måns Grebäck |
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| Designed by Jeff Levine, Sportsboard JNL is a novelty font published by Jeff Levine Fonts. |
Sportsboard JNL is a serif font alternate to the popular Flipboard JNL, which emulates the electronic flip-character message boards found at airports, sporting venues and used for election tallies.
The type design used for this version of a flipboard display is Sports Jock JNL.
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| Download Sportsboard JNL Fonts Family From Jeff Levine Fonts |
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| Designed by Jakob Fischer, Obnoxious Tie is a hand display and kids font family. This typeface has two styles and was published by Pizzadude.dk. |
That tie you wore in the 1990’ies…the one from the 1980’ies…perhaps even the one from the 1970’ies…could look obnoxious today - or maybe ... it’s super fashionable these days! :)
This Obnoxious Tie is a mix of upper- and lowercase ... well, that goes for the “lowercase” - the uppercase is uppercase, just as usual!
